ÀúÀÚ ¼Ò°³
±¸ÇåÁÖ (ÁöÀºÀÌ)
2005³âºÎÅÍ ºÎ»êÀ» °ÅÁ¡À¸·Î Ȱµ¿, ±×·¡ÇÇÆ¼¸¦ ½ÃÀÛÀ¸·Î ´Ù¾çÇÑ ÁÖÁ¦¿Í Ç¥Çö ¹æ½ÄÀ» ޱ¸Çϸç ÀÛ¾÷ÀÇ ¹üÀ§¸¦ ÀÚ¿¬½º·´°Ô ½ºÆ®¸´ ¾ÆÆ®·Î È®ÀåÇØ ¿Ô´Ù. ¾ð´õ±×¶ó¿îµå ¹®È, Á¤Ä¡¡¤»çȸÀû À̽´¸¦ ÁÖÁ¦·Î ÀڽŸ¸ÀÇ ÇØ¼®À» ±×·Á³»´Â µ¿½Ã¿¡ ±×¸²ÀÌ ³õÀÌ´Â Àå¼ÒÀÇ Æ¯Â¡°ú °ø°£ÀÇ ¹°¸®Àû ±¸Á¶, Áö¿ªÀû Ư¼º, ±×¿¡ ¾ôÈù »çȸÀû Çö¾È µîÀ» Áß½ÉÀ¸·Î À̾߱⸦ ¸¸µé¾î³»´Â Àå¼Ò ƯÁ¤Àû ÀÛ¾÷À» ÁÖ·Î ¼±º¸À̰í ÀÖ´Ù.
Based in Busan since 2005, he began with graffiti and explored various themes and expressions, naturally expanding his work to street art. While depicting his own interpretations of underground culture and political and social issues, he mainly presents site-specific works that create stories centered on the characteristics of the location where the paintings are placed, the physical structure of the space, regional characteristics, and related social issues.